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Post by Dr. Nemmers on Jul 20, 2024 17:25:36 GMT
I suppose I could have posted a video on "Nihilism" this week-- it was one of the existentialism expertise terms, only no one chose it and none of the previous texts really had much to do with it (The Man Who Lived Underground, perhaps). Here's a video if you need a quick primer: www.youtube.com/watch?v=6EbpymeSHRQAnyway, Play it as it Lies is extremely nihilist. Here's a few quotes that I pulled: "Tell me what matters" BZ said. "Nothing," Maria said. (202) "Tell me what you want" "Nothing." "I want to help you. Tell me what you feel." She looked at the hand he held out to her. "Nothing," she said. (205) "No," Maria said, and then there seemed nothing more to say. (190) There's a lot more, of course, but you get the gist. Why is Maria so nihilistic, and what are the implications of her attitude? Also, how does nihilism fit in with the general setting and timeframe of this novel?
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Post by jarelyrebollar on Jul 22, 2024 18:38:00 GMT
Maria's nihilism, I think, is deeply connected to her personal traumas, failed relationships, and the superficial Hollywood setting. Her repeated assertions of "nothing" reflect a profound sense of emptiness and disconnection. This attitude is a coping mechanism in a chaotic world offering little genuine connection or purpose, leading to her emotional paralysis and an inability to articulate her desires or feelings. Nihilism fits the novel's setting and timeframe by reflecting the disillusionment of late 1960s and early 1970s America. The societal breakdown and moral decay of the era left individuals like Maria navigating a seemingly meaningless world. The Hollywood backdrop, with its emphasis on image and artifice, amplifies this disillusionment, representing a broader societal malaise. I believe that Maria's nihilism is not just a personal stance but a commentary on the larger existential crises of the time, highlighting the struggle to find meaning in a dehumanizing world.
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Post by Dr. Nemmers on Jul 24, 2024 2:24:51 GMT
Right, and if I remember correctly, in a previous post Mitchell was linking Bless Me, Ultima to "A Clean, Well-Lighted Place." I really think we can make the same connection here, as the nada nada nada of that story becomes the "nothing" of this one.
For Maria, what is there to believe, what is there to live for? Not love, not marriage, not religion, not her career...
I don't think the answer is nothing, though-- because at the end she chooses to live rather than to die. It seems that Kate, her daughter, is the "thing" that she finds to be worth her life. Interesting that both she and Binx Bolling would find their salvation in a female named Kate...
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